PATAN DURBAR SQUARE : -
Patan City embraces yet another world heritage site of Nepal
popular for excellent curio materials, ancient sculptures, fine
arts and crafts, fabulous culture and amazing architecture.
Patan city is also known as Lalitpur, which means “city of fine
arts”. “Lalit” in Newari means art and “pur” means place or
city. Patan city from its very ancient days is very popular for
its influencing arts and crafts. The ancient name of Lalitpur is
“Yupgram”. “Yup” means the big and tall wooden pillars, which
are placed inside the big stupas. Therefore Patan is also called
as “Yalansi” but its is mispronounced as Yala. Lalitpur was
trade center in ancient days and the trade center city was
called Patan in those days. Patan is also the birth place of the
great and famous architect and artist “Araniko”. The Chinese
Emperor was very much impressed with Araniko’s artistic talent
so he called him to China to build the monasteries in “Pagoda
style”.
Patan was the city of Buddhists particularly the center of
Bajrayani Buddhist religion so we can see the influence of
Buddhist religion in numerous temples of Patan. This city was
designed keeping in mind the circle of Buddhist religion. Malla
Kings in a form of a “Lotus flower” designed Patan some 1600
years ago. This city too has a major community of Newars and
others of Chhettri, Bahun and Shudra.
Walking down towards the Patan Durbar Square, you can first
visit the Ratna Vihar. It is a beautiful monastery designed in a
rectangular base and Pagoda style. The majestic statue of Gautam
Buddha is installed inside the monastery. This monastery is
designed in a form of a courtyard, which is the center of
knowledge. At the entrance there are two stone statues of Lions,
which are the temple guardians. Just after the entry gate two
shelters are built at two sides of the passage. At the precincts
of the monastery there are Mandalas and a big Bajra. The
Mandalas stand for the comas – the sanctified area of the great
mystery in the center of which the domain of the gods is to be
found. It also represents the circle of life.
Mandala is a round peak mounted on a square base column. Bajra
also known as thunderbolt is the enlightenment or the sign of
knowledge. It is installed on a small column. After strolling
around the precincts of this monastery, take a 7-8 minutes walk
from the Ratna Vihar and then you will reach the main attraction
of Patan city – “The Patan Durbar Square”.
The majestic Patan Durbar Square is yet another example of the
extraordinary ingenuity of the Nepalese artists and architects.
The precinct of the Durbar Square is not spacious but is crowded
with beautiful temples and monuments. The main attraction of the
square is the “Royal Palace of Malla Kings”. As there was the
system of courtyards in the ancient days, Patan Durbar Square
too have three impressive courtyards viz; Mul Chowk, Sundari
Chowk and Mani Keshav Narayan Chowk. The Mul Chowk is the oldest
courtyard where the shrine of the secret family deity of Mallas,
King’s prayer room and Vidya Mandir are housed. At the corner of
the Mul Chowk, there is a three storied, octagonal, pagoda
styled temple of Taleju Bhawani also known as Degu Talle. It is
the patron goddess of Malla dynasty. The other courtyard,
Sundari Chowk is very famous for Tusha Hiti, which was the Royal
Bath. The Royal Bath lies below the ground level i.e. it is
sunken and is decorated beautifully with carved stones.
The majestic Patan Durbar Square is yet another example of the
extraordinary ingenuity of the Nepalese artists and architects.
The precinct of the Durbar Square is not spacious but is crowded
with beautiful temples and monuments. The main attraction of the
square is the “Royal Palace of Malla Kings”. As there was the
system of courtyards in the ancient days, Patan Durbar Square
too have three impressive courtyards viz; Mul Chowk, Sundari
Chowk and Mani Keshav Narayan Chowk. The Mul Chowk is the oldest
courtyard where the shrine of the secret family deity of Mallas,
King’s prayer room and Vidya Mandir are housed. At the corner of
the Mul Chowk, there is a three storied, octagonal, pagoda
styled temple of Taleju Bhawani also known as Degu Talle. It is
the patron goddess of Malla dynasty.
The other courtyard, Sundari Chowk is very famous for Tusha Hiti,
which was the Royal Bath. The Royal Bath lies below the ground
level i.e. it is sunken and is decorated beautifully with carved
stones. In ancient days or medieval times, there were four gates
in this city at four different poles. In order to make the city
more beautiful the city was segmented in four different parts;
Dipawali Nagar (Guitel) in the east corner, Shilapur Dangiri (Pulchowk)
in the west side, Lalitaranya (Kumbheshwore) at the north side
and Matinagar (Lagankhel) at the south side.
Five different shrines were installed at four different
geometrical corners of the city for the divine protection. They
were Balkumari temple at east, Khadgayogini at west, Chamunda
devi at north and Batuk Bhairav and Mahalaxmi at south. And the
Royal Palace with golden gate is situated in the center of the
city. The palace is very popular for its tremendous carved
struts and wooden pillars and windows.
In front of the Sundari Chowk of the Royal Palace, there lies an
octagonal edifice. This is the temple of Lord Krishna known as
Krishna Mandir. This temple is completely made up of granite.
Behind this temple, there is a beautiful waterspout with a
statue of the Queen installed in the center of the spout. Water
comes out from the fourth finger of the Queen as it is said that
the Queen was of lower caste and in ancient days people did not
drink water touched by the lower caste people. So to make people
realize that even she was pure and normal like others, this
waterspout was built. Beside Krishna Mandir or just infront of
the waterspout, there is a big bell called the “Taleju Bell”.
This bell was rung whenever a visitor especially a subject
wanted to visit or appeal to the King. Just after the Taleju
Bell there is a beautiful temple dedicated to Lord Shiva and is
known as “Hari Shanker Temple”. The wooden beams supporting the
roofs of the temple are carved beautifully. It is a three It is
a three storied, pagoda styled temple where the edges of the
roofs are filled with small bells. Just after this temple, there
is a small white temple of Lord Vishnu. In front of Vishnu
temple, there is a gilded statue of King Siddhi Narsingha Malla
in worshipping posture. The statue is affixed on top of a stone
column facing the Royal Palace. The statue is protected by the
hood of the Naag – King cobra and at the top of the cobra’s hood
there is a sculpture of small bird. You can even see a statue of
Hanuman – Monkey God on the roof of the Royal Palace as in a
walking position. It is a three storied, pagoda styled temple
where the edges of the roofs are filled with small bells. Just
after this temple, there is a small white temple of Lord Vishnu.
In front of Vishnu temple, there is a gilded statue of King
Siddhi Narsingha Malla in worshipping posture. The statue is
affixed on top of a stone column facing the Royal Palace. The
statue is protected by the hood of the Naag – King cobra and at
the top of the cobra’s hood there is a sculpture of small bird.
You can even see a statue of Hanuman – Monkey God on the roof of
the Royal Palace as in a walking position. Then comes the huge
edifice of Jagat Narayan or Char Narayan beside the Vishnu
temple built on bricked plinth in a pagoda style. This two
storied temple has wooden carved struts carrying the beautiful
portrays of Gods and Goddesses. It is believed to be the oldest
temple of the Durbar Square bearing a high historical
importance. Then after this temple there comes the temple with
unique design and magnificent architecture, Krishna Mandir. This
temple is also dedicated to Lord Krishna, a manifestation of
Lord Vishnu. This temple was built during the reign of King
Siddhi Narsingha Malla in the 17th century and is made
completely only out of stones. This temple is simply
extraordinary and is another major attraction of the square
beside the Royal Palace. The carved pillars, walls and the
balconies of the temple are stupendous bearing the scenes of the
great epics, the Mahabharat and the Ramayan that make the temple
very unique and majestic. Along the stairway there are two big
statues of Lions as temple guardians. Krishna Mandir is the
principle venue on Krishnastami – the birth date of Lord
Krishna, when people even from distant places pay a visit to the
deity. Krishna Mandir is a masterpiece of the ingenuity of
Nepalese artists and architects. In front of the temple, there
is a gilded statue of the Garuda, vehicle of Lord Vishnu, in a
praying posture facing the temple, which is mounted on a stone
pillar.
After Krishna Mandir, there is a big and beautiful temple known
as Vishwanath Mandir dedicated to Lord Shiva. The entrance of
the temple is guarded by two stone elephants and a Shiva Linga
is placed inside the temple. A column is raised facing the
temple with a stone statue Taleju Bhawani on top. The struts of
the temple are surmounted with erotic carvings. It is a two
storied, pagoda styled temple, where small bells are affixed at
the edges of the roofs that tinkle when a gentle breeze flows
Just infront of the Vishwanath temple or next to the Royal
Palace is Manga Hiti, a water conduit, which lies below the
ground level of the temples or the palace or it is sunken. Here
we can see three gargoyies. Above Manga Hiti i.e. just next to
the Palace there lies a pavilion, which is known as Mani Mandap.
This was used for the Royal Coronation. But these days we can
find vendors with their curio showpieces and accessories and the
Royal palace has been transformed into a Museum. Next to
Vishwanath temple is Bhimsen temple. This temple is also built
in Pagoda style, yet another creation of Next to Vishwanath
temple is Bhimsen temple. This temple is also built in Pagoda
style, yet another creation of the Nepalese architecture. It is
a three-storied edifice, which has an artificial marble facade.
Here also numbers of bells are hung on the edges of the temple’s
roofs.
The other main attractions of Patan are the Golden temple – the
most attractive Buddhist Temple which is also known as the
Hiranyavarna Mahavihar, Kumbheshwore temple, a five storied
temple dedicated to Lord Shiva, Mahabouddha, a stone carved
temple with hundreds of Buddha’s portrays, Uma Maheshwore
temple, Bishwakarma temple (God of craftsmanship), Rato
Macchindranath temple, Mimnath temple, Rudra Varna Mahavihar,
yet another exemplary monastery for fine art, architecture and
beautiful carvings and Ashoka stupas located in different places
of the city which was built by the Emperor Ashoka to commemorate
his visit.
KRISHNA MANDIR :-
Krishna Temple: The temple of Lord Krishna holds a commanding
position in Patan's Palace complex. Though its style is not
wholly native, it is one of the most perfect specimens of
Nepalese temple craft. The three storey stone temple continues
to elicit high praise from lovers of art and beauty. It was
built by King Siddhi Narasingha Malla in the sixteenth century
A. U Important scenes from the Mahabharata and Ramayana epics
have been carved in bas-relief. The minute details of this
relief work clearly show the high level that the art of stone
carving attained in the sixteenth century.
MAHABOUDHA :-
The temple of Mahaboudha is a masterpiece of terra cotta. Like
the Krishna Mandir, it reveals an artistic tradition which
evolved outside of Nepal yet shows how native Nepalese craftsmen
have been able to do justice to an unfamiliar art form. This
temple was built by Abhaya Raj, a priest of Patan and is
sometimes referred to as the temple of a million Buddhas because
every single brick bears a small image of Buddha. There is an
astonishing total of nine thousand bricks. It was leveled to the
ground in the great earthquake of 1933 but was rebuilt exactly
to the original specifications-proving the temple craft is still
one of the living arts of Nepal.
RUDRA VARNA MAHAVIHAR :-
This is one of Patan's oldest Buddhist monasteries. Adjacent to
the monastery there is a temple that contains a fine image of
Lord Buddha. The courtyard of this temple is a gallery of
exquisite bronze and stone art work. |